It’s already the 13th day of June, 2020, in an undeniably extraordinary year. This year will probably be named ‘hindsight’, as in, “Hindsight is twenty-twenty.”
I don’t know about you, but it’s up and down like a roller coaster from my point of view. There is still plenty to be totally glad about and a bright future ahead if we only dare to focus on the possibilities, and take action to move toward them.
But the dark side seems to be so darn pervasive. Like no matter how much I personally put my mind on the positive, it feels like there is still a massive cloud of sadness hanging over humanity, where COVID-19 continues to ravage the world and racism seems to run rampant. Why is it that people are so inclined to go out and about without masks in regions where the virus is not yet contained, as if it were some kind of ‘right’ to be able to get sick and spread this horrible virus?
Six months into this pandemic
I personally know three people who have gotten it. Two survived and one did not. In my city, we were fortunate to have had around 86 total cases, (according to Chinese news, out of a population around 8 million, to put this in some context) and all have long since recovered. Six months into this, two months after the last case, and we still wear masks in supermarkets, on the metro and in taxis. We still offer our arms or foreheads for volunteering our body temperatures, as a signal that we are not bringing an illness in. Mine is checked usually twice per day. First, as I enter my school campus, and second when I am entering my compound to return in the evening.
How about your musical life? Have you found your stride with working/playing/teaching online? I have taught throughout this period, but there was a month or so when I could not even pick up the violin to play anything for myself. Then one day I changed. For some reason or other I got my violin back out and started playing. Maybe I was inspired by many amazing colleagues around the world playing music and putting their performances out there to help cheer people up. Thank you, from the bottom of my heart, if you have done so! But there were no chamber music playing opportunities around here and certainly no live concerts to give or to attend.
Playing in a carpeted ballroom
One day I found out our friend would have his wedding dinner and we were invited to it in mid-May. I was pretty excited about this, since it was only the second Chinese wedding I have ever attended and would be the first performance post-lockdown for me. Then he asked if I wanted to play something, and of course I said “Yes!” The weird thing was, I didn’t have time to practice, and even through dinner I wasn’t sure what I was going to play. Finally, I suddenly decided on “Over The Rainbow” by Harold Arlen. Even if it is a slightly wistful song, everyone knows the melody, and I love the key of E flat! How rarely we get to play in colorful keys like that, so I just went for it.
I was also a little concerned about the room acoustics since it was a huge, carpeted ballroom. Another musician had come and played saxophone with his own pick-up and amplification, which was super loud. I wondered if people would even hear me and my fiddle without any sound-boosting electronics. I walked to the center and just started in. To my surprise and delight, I found that the sound carried perfectly well!
This is a testament to a violin that has good projection. It does not need any amplification at all, as it has its own incredible capacity for resonance. Thank you to Michael Mirampolsky, whom I bought it from years ago. (It’s a living ‘red violin’ with its own colorful history. Sometimes I entertain the idea of creating its story.)
Another thing that happened during this strange period of time is that my hard drive that I brought from Germany died. It had a lot of important personal stuff on it, like essentially all of my business plans and history, not to mention photos from the past fifteen or more years. In short, there was a ton of both sentimental and necessary data on there. Luckily, I had backed up my password sheet not too long before. Ok, it is not the first time I have ever lost data and in some ways it is like being freed. In other ways, it feels like tremendous loss. (I have a back-up in Germany, but that’s not exactly accessible at the moment!)
Daily life – a walk in town
At one point, Bernd and I took a walk down Shangtang Street in the old town part of Suzhou. That was when things were mostly still shut and the majority of foreigners had left China already. It was a nice spring day, so the street was filled with Chinese people enjoying the budding trees and flowers. But we really were the only western folks around, for the entire day. It was a memorable moment for us, because a lot of Chinese were quite curious about us and seemed a bit in awe that these ‘Martians’ were among them.
Others were not bashful at all and asked us about our situation, and even seemed to be allied with us in the sense that yes, the borders are/were closed, and let’s be strong, stay healthy, careful and vigilant together. Nobody shunned us. (There were a couple of times when it seemed that some people wanted to avoid us on other occasions, but by and large, we have not experienced much in the way of extraordinary treatment due to being foreign. If anything, we feel protected here.)
Another surprising thing, was a colleague of Bernd’s had met another violist on a hike, and since then we found out that she lives in our compound, has a music degree and we have begun to play chamber music together, woohoo! Not only that, but at our first meeting, she invited another violist we had not yet met, who then mentioned that his boss also plays viola! We have since gotten together (all four violists!) and played a Telemann concerto for four, and part of Vivaldi Concerto in b minor transposed for viola to e minor, with Bernd playing bass continuo. This is one of the amazing blessings to come out of this which opens a lot of new doors. We are all very excited about the potential for chamber music with this!
I will teach English and a music course again next fall, and a former student of mine in Germany asked for lessons again, so I will keep teaching both in person at Nanjing Normal University Suzhou Experimental School Cambridge International Assessment Center and give online SuperStrings Studio lessons from the home studio. Kind of exciting to have the honor of offering music appreciation as an elective course to our students! (*We are still looking for a biology/chemistry teacher, in case you know of anyone who is looking. I love my job, and definitely can recommend the program without hesitation, as I was there this whole past school year.)
String changing party
I’ve been thinking of setting a date to have a string-changing party together. Replacing strings has to be one of, if not the most, boring parts of being a string player. So if you think this too, hit me up in a comment or email and let’s find a time to change strings together on a live call, the more the merrier!
PS The next Museletter should be out shortly. Again, it will be a minimalist version, and to be quite frank, even more pared down than the last one. But I do promise an amazing freebie for you, which is a visualization I have made for string teachers, to help you focus your mind on any goal you are working toward, or just to be more focused in general if you don’t have something specific in mind. If you’re not already on the list for it, you can still get the last one from March for a couple more days until the June Issue comes out.
(Below are a few more pictures from our life in Suzhou.)
Yipu Garden – small but charming.
Outside a Gusu district street festival.
The season for loquats has just ended, and now we are in Bayberry season.
Fresh bamboo shoots with a few dozen cloves of garlic.
The restaurant and pedestrian zone at the north side of Jinji Lake is back in full swing.
Art made by a student, exhibited at Suzhou Center Mall.
Sunset at Taihu on a recent visit to Xishan
A famous bridge near Panmen, in Suzhou ancient town.