This morning I started off thinking about our concert today in Heilbronn, Germany, which marks the first Sunday of Advent.
We will be performing two cantatas, one by a local composer which was written in the 1970s, and the other by Vivaldi – Vivaldi Magnificat RV 610. (When I say “we” I mean the orchestra and choir of the Deutschordensmünster of St. Peter and St. Paul in Heilbronn.)
The church building itself, originally constructed in ca 1300, was destroyed in air raids during World War II in 1944. In 1948, reconstruction began and was finished in 1951.
The modern piece on today’s program contains a message about praising the merciful. But the music is at odds with the message. I wonder if this had anything to do with the lyricist and the composer.
After the rehearsal I asked Ingeborg, the section leader, which piece would be first on the program. She didn’t know, but she agreed it would be a tragedy if it was the Vivaldi.
In other words, we both wanted to leave the concert feeling uplifted by the glorious music of Vivaldi.
I have a bit of trouble understanding the words in both cantatas, but as an instrumentalist it doesn’t concern me that much. As a musician and as a teacher, however, I am interested in the lyrics because they form an integral part of the form and the whole experience. Besides, I just like to know what is being sung to decide for myself if the meaning seems to fit.
Praising the merciful is the main theme of the modern piece. But it breaks so many rules of harmony I wonder if there was personal animosity between the two individuals responsible for the work. It just does not bring the words to life for me. Hopefully my opinion will change in the concert.
Thank heavens for Vivaldi. When lyrics accompany music, I want the music to convey the message even without understanding the words. Vivaldi manages this and then some.
If you enjoy Vivaldi, leave a comment and let me know!