Last night we attended the only opera Beethoven ever composed, “Fidelio,” at the Stuttgart Opera. You might say it was a stumbling block for Beethoven, because he re-wrote its “Leonore Overture” three times, and when you go to this, you might not know in advance which one will be used.
It is a wonderful experience to be in the theater and have the live musical accompaniment. But if I’m honest, it was pretty hard to understand. I know the story, which basically rescued me, but there was a lot of spoken dialogue which had no super titles.
If you’d enjoy some musical homework, look up the Leonore Overtures and listen to see which one you love the most, or how you might rank them. And leave a comment here on your ranking.
When we came home we threw some pizza in the oven and started listening again to all of them. And then, we started listening to the Schubert Quintet in C Major, which we’ll probably put into our own performance repertoire in the next year or two. If you need a musical recommendation for what to listen to this weekend, this is the one. Janine Jansen is a huge favorite of mine. Definitely give it a listen if you love music and put it on a big screen.
And now for the drum roll….
Students will have the opportunity in March to perform a few pieces for the SuperStrings Studio community in our first full recital! Each student is expected to participate in this supportive event. There will be plenty of time to prepare and find out the details beforehand.
This just happens to coincide with the latest practice challenge – 30 days – to be completed by March
10 17, 2018. Thirty minutes per day for 30 days is 900 minutes, or 15 hours. Keep in mind that these 30 minutes need to include physical warm-up time (2-3+ minutes) of arm circles, stretches, slow head rolls, feet figure-8s and bow-hold practice, slow open strings practice, scales practice, arpeggios (scales, arpeggios and open strings 5+ minutes), assigned exercises for that week (5 minutes), review of previously learned material practice (5 minutes), memorization practice (5 minutes), slow and detailed work on any trouble spots, backwards practice (5 minutes), and finally playing something through (2-3 minutes at the very end). Play along with your recorded tracks to improve your listening and sense of the beat! Just a hint: MANY students need to improve their bow-hand flexibility, with a curved right pinky and lifting the wrist slightly on up-bows past the middle as the frog is approaching the string.